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    <title>TV Guide: D.W. Griffith</title>
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    <description>The latest on  D.W. Griffith</description>
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      <title>TV Guide: D.W. Griffith</title>
      <link>http://www.tvguide.com/celebrities/dw-griffith/181362?rss=object</link>
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    <item>
      <title>Listing: One Million B.C.</title>
      <link>http://www.tvguide.com/celebrities/dw-griffith/tv-listings/181362</link>
      <description>&lt;em&gt;Tue Dec 15 06:45 AM&lt;/em&gt; TCM</description>
      <guid isPermaLink="true">http://www.tvguide.com/celebrities/dw-griffith/tv-listings/181362</guid>
      <pubDate>Tue, 15 Dec 2009 06:45:00 -0500</pubDate>
      <content:encoded>&lt;em&gt;Tue Dec 15 06:45 AM&lt;/em&gt; TCM</content:encoded>
    </item>
    <item>
      <title>Video: Broken Blossoms</title>
      <link>http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870408?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870408?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51rr6Kvd-jL._SX320_SY240_.jpg" width="60" height="45" alt="Broken Blossoms" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Lucy (Gish), a battered child, lives in the gloom of London's Limehouse district with her father, Battling Burrows (Crisp), an alcoholic prize fighter. She meets Cheng Huan (Barthelmess), a Chinese poet and idealist, and briefly escapes the world of degradation she has known at the hands of her abusive father. This remarkable film, directed by D. W. Griffith, features one of Gish's most memorable--and touching--performances.&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870408?rss=object</guid>
      <pubDate>Fri, 13 Mar 2009 09:50:10 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870408?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51rr6Kvd-jL._SX320_SY240_.jpg" width="60" height="45" alt="Broken Blossoms" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Lucy (Gish), a battered child, lives in the gloom of London's Limehouse district with her father, Battling Burrows (Crisp), an alcoholic prize fighter. She meets Cheng Huan (Barthelmess), a Chinese poet and idealist, and briefly escapes the world of degradation she has known at the hands of her abusive father. This remarkable film, directed by D. W. Griffith, features one of Gish's most memorable--and touching--performances.&lt;/p&gt;</content:encoded>
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        <media:title type="plain">Broken Blossoms</media:title>
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    <item>
      <title>Video: Broken Blossoms</title>
      <link>http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870407?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870407?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51rr6Kvd-jL._SX320_SY240_.jpg" width="60" height="45" alt="Broken Blossoms" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Lucy (Gish), a battered child, lives in the gloom of London's Limehouse district with her father, Battling Burrows (Crisp), an alcoholic prize fighter. She meets Cheng Huan (Barthelmess), a Chinese poet and idealist, and briefly escapes the world of degradation she has known at the hands of her abusive father. This remarkable film, directed by D. W. Griffith, features one of Gish's most memorable--and touching--performances.&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870407?rss=object</guid>
      <pubDate>Fri, 13 Mar 2009 09:50:10 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Broken+Blossoms/Broken+Blossoms/1870407?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51rr6Kvd-jL._SX320_SY240_.jpg" width="60" height="45" alt="Broken Blossoms" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Lucy (Gish), a battered child, lives in the gloom of London's Limehouse district with her father, Battling Burrows (Crisp), an alcoholic prize fighter. She meets Cheng Huan (Barthelmess), a Chinese poet and idealist, and briefly escapes the world of degradation she has known at the hands of her abusive father. This remarkable film, directed by D. W. Griffith, features one of Gish's most memorable--and touching--performances.&lt;/p&gt;</content:encoded>
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        <media:title type="plain">Broken Blossoms</media:title>
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    <item>
      <title>Video: Sennett on His Humble Beginnings</title>
      <link>http://video.tvguide.com/Historic+Speeches/Sennett+on+His+Humble+Beginnings/1453680?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Historic+Speeches/Sennett+on+His+Humble+Beginnings/1453680?rss=object"&gt;&lt;img align="left" border="0" src="http://brightcove.vo.llnwd.net/d6/unsecured/media/1119379849/1119379849_1632734498_History-Sennett-on-Humble-Beginnings-Speech.jpg?pubId=1119379849" width="60" height="45" alt="Sennett on His Humble Beginnings" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Canadian-born director Mack Sennett, the creator of the Keystone Kops, is regarded as the father of American slapstick comedy. Originally a performer in vaudeville and theater, he studied silent-film direction under the tutelage of D. W. Griffith.&lt;/p&gt;</description>
      <author>History</author>
      <guid isPermaLink="true">http://video.tvguide.com/Historic+Speeches/Sennett+on+His+Humble+Beginnings/1453680?rss=object</guid>
      <pubDate>Mon, 24 Nov 2008 20:28:23 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Historic+Speeches/Sennett+on+His+Humble+Beginnings/1453680?rss=object"&gt;&lt;img align="left" border="0" src="http://brightcove.vo.llnwd.net/d6/unsecured/media/1119379849/1119379849_1632734498_History-Sennett-on-Humble-Beginnings-Speech.jpg?pubId=1119379849" width="60" height="45" alt="Sennett on His Humble Beginnings" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Canadian-born director Mack Sennett, the creator of the Keystone Kops, is regarded as the father of American slapstick comedy. Originally a performer in vaudeville and theater, he studied silent-film direction under the tutelage of D. W. Griffith.&lt;/p&gt;</content:encoded>
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      <title>Video: This Day In History: The Birth of a Nation Opens (2/8/1915)</title>
      <link>http://video.tvguide.com/This+Day+In+History/This+Day+In+History+The+Birth+of+a+Nation+Opens+281915/1341674?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/This+Day+In+History/This+Day+In+History+The+Birth+of+a+Nation+Opens+281915/1341674?rss=object"&gt;&lt;img align="left" border="0" src="http://brightcove.vo.llnwd.net/d6/unsecured/media/1120330742/1120330742_1715778201_tdih-0208-birthofanation-opens.jpg?pubId=1120330742" width="60" height="45" alt="This Day In History: The Birth of a Nation Opens (2/8/1915)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;On this day in history, February 8th, America's first feature-length motion picture, D.W. Griffith's The Birth of a Nation, premieres at Clune's Auditorium in Los Angeles.&lt;/p&gt;</description>
      <author>Biography</author>
      <guid isPermaLink="true">http://video.tvguide.com/This+Day+In+History/This+Day+In+History+The+Birth+of+a+Nation+Opens+281915/1341674?rss=object</guid>
      <pubDate>Tue, 30 Sep 2008 08:10:46 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/This+Day+In+History/This+Day+In+History+The+Birth+of+a+Nation+Opens+281915/1341674?rss=object"&gt;&lt;img align="left" border="0" src="http://brightcove.vo.llnwd.net/d6/unsecured/media/1120330742/1120330742_1715778201_tdih-0208-birthofanation-opens.jpg?pubId=1120330742" width="60" height="45" alt="This Day In History: The Birth of a Nation Opens (2/8/1915)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;On this day in history, February 8th, America's first feature-length motion picture, D.W. Griffith's The Birth of a Nation, premieres at Clune's Auditorium in Los Angeles.&lt;/p&gt;</content:encoded>
      <media:content url="http://brightcove.vo.llnwd.net/d6/unsecured/media/1120330742/1120330742_1715778201_tdih-0208-birthofanation-opens.jpg?pubId=1120330742" type="image/jpeg">
        <media:title type="plain">This Day In History: The Birth of a Nation Opens (2/8/1915)</media:title>
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    <item>
      <title>Video: Leaves From Satan's Book</title>
      <link>http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877314?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877314?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/511kVibvGiL._SX320_SY240_.jpg" width="60" height="45" alt="Leaves From Satan's Book" style="margin:0 5px 5px" /&gt;&lt;/a&gt;After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877314?rss=object</guid>
      <pubDate>Sun, 13 Apr 2008 23:35:00 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877314?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/511kVibvGiL._SX320_SY240_.jpg" width="60" height="45" alt="Leaves From Satan's Book" style="margin:0 5px 5px" /&gt;&lt;/a&gt;After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.&lt;/p&gt;</content:encoded>
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        <media:title type="plain">Leaves From Satan's Book</media:title>
      </media:content>
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    <item>
      <title>Video: Leaves From Satan's Book</title>
      <link>http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877313?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877313?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/511kVibvGiL._SX320_SY240_.jpg" width="60" height="45" alt="Leaves From Satan's Book" style="margin:0 5px 5px" /&gt;&lt;/a&gt;After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877313?rss=object</guid>
      <pubDate>Sun, 13 Apr 2008 23:34:32 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Leaves+From+Satans+Book/Leaves+From+Satans+Book/877313?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/511kVibvGiL._SX320_SY240_.jpg" width="60" height="45" alt="Leaves From Satan's Book" style="margin:0 5px 5px" /&gt;&lt;/a&gt;After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.&lt;/p&gt;</content:encoded>
      <media:content url="http://ecx.images-amazon.com/images/I/511kVibvGiL._SX320_SY240_.jpg" type="image/jpeg">
        <media:title type="plain">Leaves From Satan's Book</media:title>
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      <title>Video: Crainquebille</title>
      <link>http://video.tvguide.com/Crainquebille/Crainquebille/655556?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Crainquebille/Crainquebille/655556?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51N+PeVwvtL._SX320_SY240_.jpg" width="60" height="45" alt="Crainquebille" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Crainquebille is the name of a fruit and vegetable peddler (Maurice de Feraudy) who, accused of having insulted a policeman, becomes trapped in the bureaucratic web of French justice. He is sent to jail; after release, his bourgeois customers shun him, but at the point of suicide he is redeemed by an orphan newsboy (Jean Forest, an amazingly sensitive and expressive child found by Feyder on the streets of Montmartre). Feyder filmed on location around the market area of Les Halles and in some of the oldest areas of Paris. D. W. Griffith allegedly said of Crainquebille, "I have seen a film which, for me, precisely symbolizes Paris."&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Crainquebille/Crainquebille/655556?rss=object</guid>
      <pubDate>Fri, 25 Jan 2008 00:25:26 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Crainquebille/Crainquebille/655556?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51N+PeVwvtL._SX320_SY240_.jpg" width="60" height="45" alt="Crainquebille" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Crainquebille is the name of a fruit and vegetable peddler (Maurice de Feraudy) who, accused of having insulted a policeman, becomes trapped in the bureaucratic web of French justice. He is sent to jail; after release, his bourgeois customers shun him, but at the point of suicide he is redeemed by an orphan newsboy (Jean Forest, an amazingly sensitive and expressive child found by Feyder on the streets of Montmartre). Feyder filmed on location around the market area of Les Halles and in some of the oldest areas of Paris. D. W. Griffith allegedly said of Crainquebille, "I have seen a film which, for me, precisely symbolizes Paris."&lt;/p&gt;</content:encoded>
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        <media:title type="plain">Crainquebille</media:title>
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      <title>Video: Before Hollywood There Was Fort Lee, NJ</title>
      <link>http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/654074?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/654074?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51enwP+aDYL._SX320_SY240_.jpg" width="60" height="45" alt="Before Hollywood There Was Fort Lee, NJ" style="margin:0 5px 5px" /&gt;&lt;/a&gt;When Hollywood was mostly orange groves, Fort Lee, New Jersey was a center of American film production: D. W. Griffith made many one-reel Biograph dramas, Mack Sennett appeared in his first film, Pearl White endured the Perils of Pauline, and Mary Pickford and Theda Bara starred in early features. By the mid-teens, a dozen major movie studios were operating across the Hudson River from Manhattan's Washington Heights. Using rare photographs, almost-complete versions of such films as Edison's "Rescued from an Eagle's Nest" and Biograph's "The Curtain Pole," and poignant footage from 1935 of the great glass studios in ruins, this comprehensive collection also features D. W. Griffith's "The New York Hat," featuring Mary Pickford and Lionel Barrymore. Maurice Tourneur is represented by the once-lost 1917 feature "A Girl's Folly," in a half-hour abridgement with views of the glass stages, rotating sets, tank for water effects, projection room, and crews at work, and his enchanting hour-long&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/654074?rss=object</guid>
      <pubDate>Thu, 24 Jan 2008 23:58:16 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/654074?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51enwP+aDYL._SX320_SY240_.jpg" width="60" height="45" alt="Before Hollywood There Was Fort Lee, NJ" style="margin:0 5px 5px" /&gt;&lt;/a&gt;When Hollywood was mostly orange groves, Fort Lee, New Jersey was a center of American film production: D. W. Griffith made many one-reel Biograph dramas, Mack Sennett appeared in his first film, Pearl White endured the Perils of Pauline, and Mary Pickford and Theda Bara starred in early features. By the mid-teens, a dozen major movie studios were operating across the Hudson River from Manhattan's Washington Heights. Using rare photographs, almost-complete versions of such films as Edison's "Rescued from an Eagle's Nest" and Biograph's "The Curtain Pole," and poignant footage from 1935 of the great glass studios in ruins, this comprehensive collection also features D. W. Griffith's "The New York Hat," featuring Mary Pickford and Lionel Barrymore. Maurice Tourneur is represented by the once-lost 1917 feature "A Girl's Folly," in a half-hour abridgement with views of the glass stages, rotating sets, tank for water effects, projection room, and crews at work, and his enchanting hour-long&lt;/p&gt;</content:encoded>
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        <media:title type="plain">Before Hollywood There Was Fort Lee, NJ</media:title>
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      <title>Video: Crainquebille</title>
      <link>http://video.tvguide.com/Crainquebille/Crainquebille/649962?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Crainquebille/Crainquebille/649962?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51N+PeVwvtL._SX320_SY240_.jpg" width="60" height="45" alt="Crainquebille" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Crainquebille is the name of a fruit and vegetable peddler (Maurice de Feraudy) who, accused of having insulted a policeman, becomes trapped in the bureaucratic web of French justice. He is sent to jail; after release, his bourgeois customers shun him, but at the point of suicide he is redeemed by an orphan newsboy (Jean Forest, an amazingly sensitive and expressive child found by Feyder on the streets of Montmartre). Feyder filmed on location around the market area of Les Halles and in some of the oldest areas of Paris. D. W. Griffith allegedly said of Crainquebille, "I have seen a film which, for me, precisely symbolizes Paris."&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Crainquebille/Crainquebille/649962?rss=object</guid>
      <pubDate>Thu, 24 Jan 2008 22:43:28 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Crainquebille/Crainquebille/649962?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51N+PeVwvtL._SX320_SY240_.jpg" width="60" height="45" alt="Crainquebille" style="margin:0 5px 5px" /&gt;&lt;/a&gt;Crainquebille is the name of a fruit and vegetable peddler (Maurice de Feraudy) who, accused of having insulted a policeman, becomes trapped in the bureaucratic web of French justice. He is sent to jail; after release, his bourgeois customers shun him, but at the point of suicide he is redeemed by an orphan newsboy (Jean Forest, an amazingly sensitive and expressive child found by Feyder on the streets of Montmartre). Feyder filmed on location around the market area of Les Halles and in some of the oldest areas of Paris. D. W. Griffith allegedly said of Crainquebille, "I have seen a film which, for me, precisely symbolizes Paris."&lt;/p&gt;</content:encoded>
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        <media:title type="plain">Crainquebille</media:title>
      </media:content>
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      <title>Video: True Heart Susie (silent)</title>
      <link>http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/645099?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/645099?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51r6gY3ra+L._SX320_SY240_.jpg" width="60" height="45" alt="True Heart Susie (silent)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;In 1918-1919, D. W. Griffith turned from spectacles such as The Birth of a Nation, Intolerance and Hearts of the World to smaller films, which he called his "short story series." Among these is True Heart Susie. "There are those of us who consider True Heart Susie to be Griffith's masterpiece," writes Tom Gunning in his notes for a 2006 screening at the Pordenone Silent Film Festival. He goes on to praise the "narrative structure and point of view, as well as the fine details of performance, framing, and even the use of intertitles that makes a seemingly modest film such as this appear nearly incandescent in its confessional and emotional power." In an almost mythical American arcadia, Lillian Gish portrays a pure, prim girl who so loves her childhood sweetheart (Griffith's most charming boyish hero, Robert Harron) that she sells the family cow to anonymously finance his higher education, only to lose him to a more "modern" woman (Clarine Seymour) when he comes home. Gish's performance&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/645099?rss=object</guid>
      <pubDate>Thu, 24 Jan 2008 21:13:40 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/645099?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51r6gY3ra+L._SX320_SY240_.jpg" width="60" height="45" alt="True Heart Susie (silent)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;In 1918-1919, D. W. Griffith turned from spectacles such as The Birth of a Nation, Intolerance and Hearts of the World to smaller films, which he called his "short story series." Among these is True Heart Susie. "There are those of us who consider True Heart Susie to be Griffith's masterpiece," writes Tom Gunning in his notes for a 2006 screening at the Pordenone Silent Film Festival. He goes on to praise the "narrative structure and point of view, as well as the fine details of performance, framing, and even the use of intertitles that makes a seemingly modest film such as this appear nearly incandescent in its confessional and emotional power." In an almost mythical American arcadia, Lillian Gish portrays a pure, prim girl who so loves her childhood sweetheart (Griffith's most charming boyish hero, Robert Harron) that she sells the family cow to anonymously finance his higher education, only to lose him to a more "modern" woman (Clarine Seymour) when he comes home. Gish's performance&lt;/p&gt;</content:encoded>
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    <item>
      <title>Video: True Heart Susie (silent)</title>
      <link>http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/641669?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/641669?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51r6gY3ra+L._SX320_SY240_.jpg" width="60" height="45" alt="True Heart Susie (silent)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;In 1918-1919, D. W. Griffith turned from spectacles such as The Birth of a Nation, Intolerance and Hearts of the World to smaller films, which he called his "short story series." Among these is True Heart Susie. "There are those of us who consider True Heart Susie to be Griffith's masterpiece," writes Tom Gunning in his notes for a 2006 screening at the Pordenone Silent Film Festival. He goes on to praise the "narrative structure and point of view, as well as the fine details of performance, framing, and even the use of intertitles that makes a seemingly modest film such as this appear nearly incandescent in its confessional and emotional power." In an almost mythical American arcadia, Lillian Gish portrays a pure, prim girl who so loves her childhood sweetheart (Griffith's most charming boyish hero, Robert Harron) that she sells the family cow to anonymously finance his higher education, only to lose him to a more "modern" woman (Clarine Seymour) when he comes home. Gish's performance&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/641669?rss=object</guid>
      <pubDate>Thu, 24 Jan 2008 20:11:48 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/True+Heart+Susie+silent/True+Heart+Susie+silent/641669?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51r6gY3ra+L._SX320_SY240_.jpg" width="60" height="45" alt="True Heart Susie (silent)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;In 1918-1919, D. W. Griffith turned from spectacles such as The Birth of a Nation, Intolerance and Hearts of the World to smaller films, which he called his "short story series." Among these is True Heart Susie. "There are those of us who consider True Heart Susie to be Griffith's masterpiece," writes Tom Gunning in his notes for a 2006 screening at the Pordenone Silent Film Festival. He goes on to praise the "narrative structure and point of view, as well as the fine details of performance, framing, and even the use of intertitles that makes a seemingly modest film such as this appear nearly incandescent in its confessional and emotional power." In an almost mythical American arcadia, Lillian Gish portrays a pure, prim girl who so loves her childhood sweetheart (Griffith's most charming boyish hero, Robert Harron) that she sells the family cow to anonymously finance his higher education, only to lose him to a more "modern" woman (Clarine Seymour) when he comes home. Gish's performance&lt;/p&gt;</content:encoded>
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        <media:title type="plain">True Heart Susie (silent)</media:title>
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      <title>Video: Before Hollywood There Was Fort Lee, NJ</title>
      <link>http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/640719?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/640719?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51enwP+aDYL._SX320_SY240_.jpg" width="60" height="45" alt="Before Hollywood There Was Fort Lee, NJ" style="margin:0 5px 5px" /&gt;&lt;/a&gt;When Hollywood was mostly orange groves, Fort Lee, New Jersey was a center of American film production: D. W. Griffith made many one-reel Biograph dramas, Mack Sennett appeared in his first film, Pearl White endured the Perils of Pauline, and Mary Pickford and Theda Bara starred in early features. By the mid-teens, a dozen major movie studios were operating across the Hudson River from Manhattan's Washington Heights. Using rare photographs, almost-complete versions of such films as Edison's "Rescued from an Eagle's Nest" and Biograph's "The Curtain Pole," and poignant footage from 1935 of the great glass studios in ruins, this comprehensive collection also features D. W. Griffith's "The New York Hat," featuring Mary Pickford and Lionel Barrymore. Maurice Tourneur is represented by the once-lost 1917 feature "A Girl's Folly," in a half-hour abridgement with views of the glass stages, rotating sets, tank for water effects, projection room, and crews at work, and his enchanting hour-long&lt;/p&gt;</description>
      <author>Amazon Video on Demand</author>
      <guid isPermaLink="true">http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/640719?rss=object</guid>
      <pubDate>Thu, 24 Jan 2008 19:54:26 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/Before+Hollywood+There+Was+Fort+Lee+NJ/Before+Hollywood+There+Was+Fort+Lee+NJ/640719?rss=object"&gt;&lt;img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51enwP+aDYL._SX320_SY240_.jpg" width="60" height="45" alt="Before Hollywood There Was Fort Lee, NJ" style="margin:0 5px 5px" /&gt;&lt;/a&gt;When Hollywood was mostly orange groves, Fort Lee, New Jersey was a center of American film production: D. W. Griffith made many one-reel Biograph dramas, Mack Sennett appeared in his first film, Pearl White endured the Perils of Pauline, and Mary Pickford and Theda Bara starred in early features. By the mid-teens, a dozen major movie studios were operating across the Hudson River from Manhattan's Washington Heights. Using rare photographs, almost-complete versions of such films as Edison's "Rescued from an Eagle's Nest" and Biograph's "The Curtain Pole," and poignant footage from 1935 of the great glass studios in ruins, this comprehensive collection also features D. W. Griffith's "The New York Hat," featuring Mary Pickford and Lionel Barrymore. Maurice Tourneur is represented by the once-lost 1917 feature "A Girl's Folly," in a half-hour abridgement with views of the glass stages, rotating sets, tank for water effects, projection room, and crews at work, and his enchanting hour-long&lt;/p&gt;</content:encoded>
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      <title>Video: True Heart Susie (Silent Film)</title>
      <link>http://video.tvguide.com/True+Heart+Susie+Silent+Film/True+Heart+Susie+Silent+Film/463965?rss=object</link>
      <description>&lt;p&gt;&lt;a href="http://video.tvguide.com/True+Heart+Susie+Silent+Film/True+Heart+Susie+Silent+Film/463965?rss=object"&gt;&lt;img align="left" border="0" src="http://www.cinemanow.com/images/boxart/95/true_heart_susie_silent_f__film_1ec54282_95.jpg" width="60" height="45" alt="True Heart Susie (Silent Film)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;In 1918-1919, D. W. Griffith turned from spectacles such as The Birth of a Nation, Intolerance and Hearts of the World to smaller films, which he called his "short story series." Among these is True Heart Susie.&lt;/p&gt;</description>
      <author>CinemaNow</author>
      <guid isPermaLink="true">http://video.tvguide.com/True+Heart+Susie+Silent+Film/True+Heart+Susie+Silent+Film/463965?rss=object</guid>
      <pubDate>Thu, 06 Dec 2007 13:45:07 -0500</pubDate>
      <content:encoded>&lt;p&gt;&lt;a href="http://video.tvguide.com/True+Heart+Susie+Silent+Film/True+Heart+Susie+Silent+Film/463965?rss=object"&gt;&lt;img align="left" border="0" src="http://www.cinemanow.com/images/boxart/95/true_heart_susie_silent_f__film_1ec54282_95.jpg" width="60" height="45" alt="True Heart Susie (Silent Film)" style="margin:0 5px 5px" /&gt;&lt;/a&gt;In 1918-1919, D. W. Griffith turned from spectacles such as The Birth of a Nation, Intolerance and Hearts of the World to smaller films, which he called his "short story series." Among these is True Heart Susie.&lt;/p&gt;</content:encoded>
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